The Specials menu lies neglected

Carbon dating ron elisha

Trapping characters in the dating circuit is not a new premise, but one that nonetheless retains potential for character development and a discussion of love and society. As a playwright one always teeters on the brink of contrivance.

The world of the play, then, is a world in which the most important things are unspoken, and at times unspeakable. Parrott then welcomes them inside in character, using the stickers to interact with newcomers. About the author Ron Elisha is a playwright based in Melbourne, Australia.

Playwright Ron Elisha presents the dating shenanigans of eleven interconnected individuals. Right after the cast makes its entrance however, buzzing across the stage in their anxious preparations for a date night, the pressure falls. Elisha, however, chooses to ignore this potential. Carbon Dating is an abbreviated adventure through a series of first-dates gone wrong that ranges from awkward to adorable. Which is not to say that all of it is onerous.

Right after the cast makes its

The Specials menu lies neglected. Before entering the auditorium, spectators are enjoined to announce their dating status with stickers of different colours. Each personality is so vivid as to become instantly recognisable, and to create anticipation for the next encounter. Interactions were the prize element of the production, as it seemed that many of the story arcs repeated themselves.

Without any real exception, every man in the play was eventually revealed to be self-absorbed or undesirable, in many cases both. Having said this, the disadvantage of historical drama is the sheer amount of research required. The stickers are forgotten. The Laura Evelyn-Noah James pair is the perfect introduction to the night as it depicts a clash of insecurities. Without any true depth of character or subtext, the piece becomes a succession of scenes that hovers between play and comedy night.

Low stakes and a weak point of view create a sketch comedy feel, so the show lacks real weight. The production settles into a routine. Director John Fricker suddenly adopts a very static style of staging that mainly consists of couples sitting at tables. The intellectual and, ultimately, emotional satisfaction of crafting a story around this premise was immense. Featuring stories that rest comfortably between sugar coated romance and cynicism, Carbon Dating keeps its journey through the dating world fresh and funny.

Playwright Ron Elisha presents